PERCORSI MUSICALI DI NATALE – I suoni e i luoghi dell’Inverno 2020

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PERCORSI MUSICALI DI NATALE

I suoni dell’inverno 2020

Da domenica 13 dicembre, al via cinque concerti online per l’Inverno Fiorentino 

alla scoperta dei tesori del Quartiere 5 

Progetto di A.Gi.Mus. Firenze 

In collaborazione con il Quartiere 5 del Comune di Firenze 

A partire da domenica 13 dicembreA.Gi.Mus. Firenze, nell’ambito dell’Inverno Fiorentino del Comune di Firenze, presenta un calendario di cinque concerti online in collaborazione con il Quartiere 5 del Comune di Firenze.

Percorsi musicali di Natale – i suoni dell’inverno 2020” è un itinerario artistico – musicale nei luoghi più belli del Quartiere 5 di Firenze, area periferica della città che però conserva al suo interno dei veri e propri gioielli dell’arte e dell’architettura. 

Tutti i concerti saranno trasmessi sul canale YouTube di A.Gi.Mus. Firenze:

 https://www.youtube.com/channel/UC7ZksYP7wWQE6tZX4NoQAhQ 

L’appuntamento inaugurale, il 13 dicembre alle ore 11.00, sarà in streaming dall’Auditorium Ottone Rosai: struttura parte del complesso degli Ex Macelli, progettato nel 1865 da Giuseppe Poggi ed edificio di architettura originale lorenese, è adesso adibito ad auditorium polifunzionale. All’Auditorium si esibirà il giovane pianista Mattia Amato, già vincitore di numerosi concorsi a livello nazionale, che proporrà un recital con musiche di Brahms, Beethoven, Mendelssohn.

Per l’appuntamento successivo, il 17 dicembre alle ore 18.00, Alessio Benvenuti si esibirà alla Chiesa di San Donato in Polverosa in un particolarissimo programma in cui suonerà violino e organo (nella chiesa ne sono presenti due), con musiche di Bach, De Machaut e Haendel.

L’emergenza sanitaria in atto ha offerto l’occasione per dare un nuovo valore all’importanza delle arti come catalizzatore emotivo e aggregativo. Data l’impossibilità delle persone di spostarsi e raggiungere i luoghi, saranno le note dei musicisti a muoversi dai luoghi ed entrare nelle case degli ascoltatori, accompagnate da una vera e propria guida storica e visiva alla scoperta delle meraviglie del Quartiere 5, luoghi talvolta poco conosciuti e da valorizzare.

All’evento dedicato alla Chiesa di San Donato in Polverosa parteciperà il parroco, Padre Giuliano Riccadonna, con un’affascinante guida alla scoperta della Chiesa.

Domenica 20 dicembre, alle ore 11.00, i concerti saranno di nuovo live dall’Auditorium Ottone Rosai con la partecipazione dei Gruppi da camera del Centro Musicale Suzuki di Firenze.

Il 25 dicembre alle ore 18.00 sarà la volta del concerto di Natale: Luca Provenzani al violoncello Fabiana Barbini al pianoforte condurranno il pubblico alla scoperta delle bellezze della Chiesa di Santo Stefano in Pane a Rifredi, accompagnati dalle note di Bach, Beethoven e Brahms.

Il concerto per l’anno nuovo, il 31 dicembre alle ore 18.00, è affidato a Luca Provenzani al violoncello e Amerigo Bernardi al contrabbasso, rispettivamente primo violoncello e primo contrabbasso dell’ORT – Orchestra della Toscana, che suoneranno da uno dei luoghi più suggestivi del Quartiere: il Museo Stibbert.

Anche in questi ultimi due casi i concerti saranno accompagnati da una guida storico-visiva alla scoperta dei luoghi.

Arte, storia, musica convivono in un progetto che mira ad allietare le giornate del nostro pubblico in queste Festività natalizie così particolari, attraverso la buona musica ma anche attraverso il gusto di scoprire le bellezze che si nascondono a pochi passi dalla propria casa, sperando di accrescere la voglia di viverle poi anche di persona” – ha commentato Luca Provenzani, Presidente di A.Gi.Mus. Firenze.

IL CALENDARIO DEGLI EVENTI

Tutti i concerti saranno trasmessi sul canale YouTube di A.Gi.Mus. Firenze:

https://www.youtube.com/channel/UC7ZksYP7wWQE6tZX4NoQAhQ

13 dicembre ore 11.00 Auditorium Ottone Rosai

Piano solo

Mattia Amato, pianoforte 

Musiche di Brahms, Beethoven, Mendelssohn 

17 dicembre ore 18.00 Chiesa di San Donato in Polverosa 

L’Assoluto in Musica 

Alessio Benvenuti, violino e organo 

Musiche di Bach, Haendel

20 dicembre ore 11.00 Auditorium Ottone Rosai 

Nuovi Talenti

Ensemble da camera del Centro Musicale Suzuki di Firenze 

Musiche di Bach, Vivaldi e tradizionali natalizi

25 dicembre ore 18.00 Pieve di Santo Stefano in pane a Rifredi

Concerto di Natale 

Fabiana Barbini, pianoforte 

Luca Provenzani, violoncello

Musica di Bach, Beethoven, Brahms

31 dicembre ore 18.00 Museo Stibbert, Sala della Malachite 

Concerto per il nuovo anno 

Luca Provenzani, violoncello 

Amerigo Bernardi, contrabbasso

Musica di Sammartini, Rossini, Piazzolla

Locandina generale IF 20

2 Commenti

  1. preeyla / 19 Luglio 2026 at 23:04 /

    Cadillacs and Dinosaurs is an animated television series produced by De Souza Productions, Galaxy Films and Nelvana, which aired on CBS as part of its Saturday morning children’s lineup in the United States from 1993 to 1994, lasting for one season of 13 episodes.[1] Based on Xenozoic Tales by Mark Schultz, the show was created by screenwriter Steven E. de Souza, who acquired the TV rights after producing the video game Cadillacs and Dinosaurs, which was also based on Schultz’s comic.[2][3] The show dealt with many strong ecological and political issues that were central to the plot development.
    The series chronicles the exploits of Jack Tenrec and his crew of ecological freedom fighters known as the “Mechanics.”[4] Set after the year 2627, the series takes place in a post-apocalyptic jungle in the vicinity of the ruins of New York City (now known as “The City in the Sea”). Societies have had to re-learn 20th-century technology, lost due to a never-explicitly-stated catastrophe, and have only been partially successful in doing so. The Mechanics have maintained much “Old World” technology and knowledge. Jack Tenrec’s often-reluctant companion is Hannah Dundee, an ambassador from Wasoon somewhere south, a place technologically much further behind than the City in the Sea. Dundee hires Tenrec as a liaison, while she attempts to create clear communication between her land and the modern civilization. Since the catastrophe, much of the former United States has gone wild with many species of dinosaurs spontaneously reappearing after going extinct. Together, Jack and Hannah confront the serious issues facing the futuristic environment that humanity has come to inhabit.
    Jack also has Hermes, a juvenile “cutter” that Jack hand-reared after the latter’s mother’s death. Gentle with Jack and Hannah, he can still be rather fierce when angered. The show also includes a race of intelligent lizards called “Griths”.
    The show aired in the Republic of Ireland on RT Two from 29 August 1995 to 1996.[6] In addition, the series has aired for many years on HBO Family in Latin America, where the episodes can be viewed dubbed in Spanish or in their original English. In 2002, the series has Spanish-dubbed aired on Telefutura, as part of Toonturama block until 2003.
    Select episodes were released on VHS in the 1990s by Sony Wonder. Only the first two episodes of the show are available in the United States through the video retailer Amazon Video, and in Canada it was available through the streaming video service Shomi until the service was cancelled. In 2015, the entire series was made available for free viewing through the Nelvana Retro channel on YouTube,[7] renamed YTV Direct in 2016.[8] YTV Direct was renamed to Keep It Weird in 2018 and no longer features the show.[9] In 2019, Retro Rerun uploaded all of the episodes on their YouTube channel.[10]
    Esther Sinclair, UCLA associate professor of psychiatry and bio-behavioral sciences, analyzed the message of the show: “Jack is altruistic, does not have aggressive impulses, resists temptation and is sympathetic toward others…. The viewer may draw an analogy to other endangered species such as eagles and condors…. There is an emphasis on the interconnection of all living things. Jack respects all life forms”.[3]
    Up to three players can play at once, guiding their selected characters through eight stages, battling various enemies and bosses.[3] There are four playable characters, each with their own strengths and weaknesses: Jack (balanced type), Hannah (skill type), Mustapha (speed type), and Mess (power type). The game’s titular dinosaurs make appearances as neutral characters that may attack both player characters and enemies.
    The players have access to several attacks. Each character has two special moves including one that depletes a character’s health upon contact with an enemy and when two or more players play together, they can trigger a team-attack. Players can also find and use various firearms, throwing weapons such as rocks and explosives, and melee weapons such as clubs.
    When the player loses along the way, one of the big baddies holds a gun point-blank to the losing player’s face in a first-person view, taunting the player with sayings such as “Eat lead, baby!”. Unless the game is continued within a countdown of 20 seconds, the baddie fires his gun, leading to a game over.
    The story begins in the 26th century, when an ensemble gang called the Black Marketeers begin hunting the dinosaurs to serve their unknown purpose. The continuous hunting process has made the dinosaurs violent and now they have started attacking villages and people. Four heroes: mechanic and shaman Jack Tenrec, diplomat and explorer by profession Hannah Dundee, Jack’s friend and engineer Mustapha Cairo, and mysterious Mess O’Bradovich, have decided to team up against the Black Marketeers.
    The protagonists journey to the “City in the Sea” where they suspect the whole hunting network being operating from. As they reach the top of a building Vice orders his men to attack the group but they fight Vice Terhune. After being beaten, Vice tells them about Butcher, who had been hunting in the northern woods. Following the information, they go through the swamp forest where they find a lot of dead dinosaurs before reaching and defeating the Butcher.
    Meanwhile, another big name in the hunting network, Hogg, realizes that Jack is busy in the swamp forest and decides to take over Jack’s Garage. Proceeding with the mission, the heroes go through the desert of death, where they use their car to travel safely, but then the car is chased by Hogg on his cruiser motorcycle. After defeating Hogg, Jack realizes that the gangsters have taken over his garage. They go there and clear out the garage from the gangsters, eventually confronting and defeating their leader Slice and regaining control of their garage.
    This is when they receive a message from an old villager who tells them about the weird behavior of the dinosaurs and asks for help. In response to the call, the heroes reach the village where they notice dinosaurs violently attacking the people and that the village has been set on fire by someone. Going ahead further, they meet the old villager again as he tells about the whole network and as soon as he is about to reveal the name of the person behind all of it, he is shot dead by Morgan, who attacks the group as well. During the fight, Morgan talks about the powers of “doctor” transforms himself into a dinosaur-like creature called Morgue. By now, they have come to know that some doctor is trying to create new lifeforms.
    Proceeding ahead, the heroes reach the coal mine and another jungle, where they face a dinosaur trying to stomp them. They eventually reach a place where they fight a tentacled creature called Tyrog that attaches itself to the bodies of the gangsters as a monstrous dinosaur-human hybrid. With all the leads and hints, Jack has now realized that Dr. Simon Fessenden is the mastermind behind all that is happening.
    The team heads towards his underground hideout, which again is somewhere in the “City in the Sea”. The heroes head towards the bunker, going through the library and the computer lab, where the doctor appears on the computer screen, calling himself the creator of a new world. Deep down is a bio-lab, and below it is a cave, which finally leads to Fessenden’s lab. Seeing the team, he transforms himself into a Morgue-like creature, but is beaten. By now, the transforming serum’s effect reaches its peak, and Fessenden transforms into a three-headed creature, but the heroes manage to defeat him.
    Crippled by his defeat, Fessenden sets the whole complex to self-destruct. As the laboratory starts exploding, the heroes run for their lives, but Hannah falls down while running and Jack stops to help her. Only Mustapha and Mess are able to make it out of the laboratory as it is destroyed. As they are walking back to their homes, thinking about Jack and Hannah, the latter two come from behind in the car, alive. All four heroes return home.
    Cadillacs and Dinosaurs received positive reception from reviewers.[6] GamesMaster gave Cadillacs and Dinosaurs a positive outlook.[7] In Japan, Game Machine listed the game on their June 1993 issues as one of the most-popular arcade games for the previous two weeks, outperforming titles such as Warriors of Fate.[8][9] RePlay reported Cadillacs and Dinosaurs to be the ninth most-popular arcade game at the time.[10]
    PlayStation Portable magazine Go Play reviewed the game alongside Willow and The Punisher calling them “some of the best CPS1 games you’re unlikely to ever play on a Capcom compilation”.[11]
    We were being buried with fear, the Ozone layer had a whole in, AIDS was coming to get every one of us, the rainforest was being destroyed, space shuttles were blowing up, kids were coming to school with pipe bombs and bullets. At the same time, the new millennium was on the horizon, the internet was becoming ubiquitous, space stations were being built. The vast array of problems laid at our feet caused a sort of nostalgia for a simpler past that had left us behind, while the promise of the future suggested that just maybe we could fix those problems if we had the fortitude to pick up a hammer, or a shovel, or a bullhorn, or maybe just put down our weapons and see one another. Give the world a Coke.
    It takes place in the 26th century, humanity has spent hundreds of years underground after a series of environmental catastrophes (potentially due to the rogue second moon whipping around Earth for no reason) and when they return to the surface they discover that previously extinct species have reclaimed the world, including dinosaurs.
    A great city is built in the sea run by a council of corrupt governors, pockets of survivors are still emerging in the wilderness and The Mechanics, a group of environmental warriors is committed to finding balance in their new setting. One such Mechanic is the protagonist Jack Tenrec who, along with his buddy Mustapha Cairo, sort of love interest Hannah Dundee, and pet Allosaurus Hermes, fight the forces of Governor Wilhelmina Scharnhorst and poacher Hammer Terhune to maintain the balance of the Machinataeo Vitae, the machine of life. https://sites.google.com/view/xampp-php-52-download-free
    cc7c31b456 preeyla

  2. pearvola / 20 Luglio 2026 at 0:23 /

    Camp Rock is a 2008 musical television film directed by Matthew Diamond from a screenplay by Karin Gist, Regina Hicks, Julie Brown, and Paul Brown. The 73rd Disney Channel Original Movie (DCOM), the film stars Demi Lovato, Joe Jonas, Meaghan Jette Martin, Maria Canals-Barrera, Daniel Fathers, and Alyson Stoner. In the film, aspiring teenage singer Mitchie Torres (Lovato) visits Camp Rock, a summer music camp.
    The film premiered on Disney Channel on June 20, 2008. Camp Rock was the second DCOM to air on ABC’s The Wonderful World of Disney after its premiere on Disney Channel and was placed on the iTunes Store for digital purchase shortly after its premiere. The film was watched by 8.9 million viewers on the night of its premiere and is currently the third highest viewed DCOM of all time, behind High School Musical 2 and Wizards of Waverly Place: The Movie. A sequel, Camp Rock 2: The Final Jam, premiered on September 3, 2010.
    Shy singer Mitchie Torres and her family are unable to afford the fees required to attend Camp Rock, a summer music camp. Her mother, Connie, a chef, is hired to cater food for the camp, which enables Mitchie to attend at a discounted rate. Her mother tasks Mitchie to help her in the kitchen when not performing camp duties. Upon arrival, Mitchie meets fellow camper Caitlyn Gellar, an aspiring music producer.
    Shane Gray, the spoiled lead singer of the pop music trio Connect 3, returns to Camp Rock at his bandmates’ behest to rehabilitate Shane’s public image. Shane assumes a position as a dance instructor and is required to record a song with the winner of Final Jam, the camp’s closing singing competition. Shane overhears Mitchie singing in a hall; unable to see her before she leaves, he obsesses over finding her, with the camp knowing he is searching for the girl with “the voice”.
    During Opening Jam, a camp meet-and-greet, Mitchie learns the campers are rich or well-connected. Embarrassed at being able to attend camp due to Connie’s catering, Mitchie lies to Tess Tyler (the popular daughter of singer TJ Tyler) and her friends Ella Pador and Margaret “Peggy” Dupree that her mother is the president of the Chinese department of the music channel Hot Tunes TV. Impressed, Tess invites Mitchie to join her group at the disappointment of Caitlyn, who advises against Mitchie becoming friends with Tess.
    During lunch, an argument between Tess and Caitlyn escalates to a food fight. Tess portrays Caitlyn as the aggressor of the dispute to Brown Cesario, the camp’s director and Shane’s uncle; Brown punishes Caitlyn by making her work in the kitchen. Mitchie, worried Caitlyn will learn about her secret, does not defend her, to Caitlyn’s annoyance.
    Shane shares a song with Mitchie, which is a stylistic departure to his previous music with Connect 3. Doubtful his record label and fans would accept a change in musical direction, Mitchie expresses she likes the song. As Caitlyn arrives in the kitchen and learns about Mitchie’s secret, they argue but reconcile at Pajama Jam, a pajama party music showcase, after Mitchie stands up to Tess when Tess attempts to upstage Caitlyn’s performance.
    Jealous at seeing Mitchie and Shane together, Tess follows her and learns of her secret. Tess exposes Mitchie in front of campers; Shane, believing Mitchie lied to him solely to be with him because he is famous, breaks their friendship and Mitchie becomes ostracized at camp. Tess then deduces Mitchie is the mysterious singer. On the eve of Final Jam, Tess frames Mitchie and Caitlyn for stealing her bracelet, and Brown bans them from all camp activities until the end of Final Jam.
    At Final Jam, which is judged by Connect 3, Peggy and Ella argue with Tess and opt not to perform with her as planned; Ella performs with fellow campers Barron James and Sander Loyer. Tess stumbles during her performance after TJ attends and takes a call, and then retreats backstage in tears. Peggy performs a solo song as Final Jam’s closing act and eventual winner. When Brown announces the end of Final Jam, Mitchie and Caitlyn make the spotlights flicker; he lets them go on stage, proud they understood their ban was only until “the end of Final Jam”. As Mitchie sings, Shane realizes she is the mysterious singer, and they reconcile by singing together. Backstage, Tess apologizes to Peggy and Ella and tells Brown that she staged the theft of her bracelet.
    The Camp Rock soundtrack features lead vocals from Demi Lovato, Jonas Brothers, Roshon Fegan, Renee Sandstrom, Meaghan Martin, Jordan Francis and Aaryn Doyle. It was released on June 17, 2008, by Walt Disney Records. Full songs of the album were made available on Camp Rock’s official web site for one week beginning June 10, and the full soundtrack premiered on Radio Disney on June 14, during Planet Premiere: Camp Rock. The soundtrack was released in the United Kingdom one month later on July 14.
    The album reached top ten in six countries, among which peaked at number 3 for four weeks on the US Billboard 200 album charts, selling over 188,000 units in its first week.[3] It also topped the Soundtrack chart in the country. The album was certified Platinum by the Recording Industry Association of America (RIAA) after selling over a million copies in the United States.[4] In Brazil, Mexico and Spain, the album was also certified platinum by the PMB, AMPROFON and PROMUSICAE respectively.[5][6][7]
    The DVD and Blu-ray of the film, titled Camp Rock: Extended Rock Star Edition, was released by Walt Disney Studios Home Entertainment on August 19, 2008.[8] It was released in November in other countries, and on December 1 in the United Kingdom, only on DVD.[9] Both the DVD and Blu-ray release contains an extended ending with an additional musical number (“Our Time Is Here”), the music videos, sing-along and karaoke functions, a gallery and more bonus features.
    Merchandise of the film is sold at Target, Claire’s, and Limited Too. They include clothing (such as pajamas, T-shirts, and underwear), bags (tote bags, backpacks, etc.), bedding collection, toys, and dolls of the characters. Play Along Toys, so far, has only released dolls of Mitchie and Shane. On May 13, 2008, Disney published Camp Rock: The Junior Novel, by Lucy Ruggles, the novelization of the film. Target retail stores sell “special editions” of the novel, hardcover books that include photos.
    Camp Rock premiered on Disney Channel in the United States on June 20, 2008, with 8.9 million viewers, being the second most viewed Disney Channel Original Movie at the time, only behind High School Musical 2 (2007).[10] Its June 21 showing on ABC had 3.47 million viewers, and its June 22 showing on ABC Family had 3.73 million viewers, according to Nielsen SoundScan. The DVD topped the national home video sales chart for the week ending August 24.[11] The film’s premiere in Canada became Family Channel’s second-most-watched film ever, also behind High School Musical, with 848,000 viewers.[12] Its Disney Channel Italy premiere received 1.14 million viewers in September.[13] According to Billboard the film attracted an audience of 146 million viewers in 160 nations and 30 languages.[14]
    The film received moderate reviews from critics. On the review aggregator website Rotten Tomatoes, the film has a rating of 48% based on 21 reviews, with an average rating of 4.4/10. The website’s critics consensus reads: “Camp Rock wants to be the next High School Musical, but its forgettable songs and dull premise hold it back”.[15] Metacritic, which uses a weighted average, assigned the film a score of 64 out of 100, based on 16 critics, indicating “generally favorable” reviews.[16]
    Brian Lowry of Variety stated that “it’s difficult not to grudgingly admire the marketing savvy with which Camp Rock was assembled”.[17] New York Post critic Austin Smith called it a “really great movie, like a modern-day version of an old Judy Garland-Mickey Rooney picture” in which the kids “put on a show that improves the lives of all who see it”.[18] Barry Garron of The Hollywood Reporter admired Matthew Diamond’s “solid enough” direction and Demi Lovato’s performance. He also said that with Camp Rock, “Disney plucks another fresh face off its deep bench of young talent”.[19] Robert Lloyd of Los Angeles Times wrote that the film “isn’t particularly good, but it’s good at what it does”, and called it “inauthentic”.[20] USA Today’s Robert Blanco called the film “simultaneously overdone and underproduced” and said that “it jerks its way from point to point without bothering to explain the characters’ behavior or inject any life into its musical numbers”. Entertainment Weekly’s Gillian Flynn said “the strange and objectionable thing about the film’s morality tale is that no one makes an outright decision to be brave or better”, and called it “so rigidly formulated and unremarkable” that by the time the cast sings its finale, We Rock, “it’s hard to agree”.[21]
    Following the critics’ line of comparison to High School Musical, Jennifer Frey of The Washington Post said that Camp Rock’s music is “in the same easy-to-memorize, dance-inspiring mode” as that of the previous franchise, “but not as catchy”.[22] Daily News’s David Hinckley agreed, saying that “the songs don’t feel as fresh” and “the film is specifically designed to ride on the success of the previous one”, but he praised its formula that “goes back to the animated Disney classics of decades past”, and called it “catchy and fun, a rock-steady Disney hit”. Hinckley also praised the talent and performance of leads Joe Jonas and Lovato.[23]
    In 2016, Billboard’s Maria Sherman named Camp Rock Lovato’s best film to date, describing it as “something of a coming of age tale, one not only about believing in yourself, but accepting yourself”.[24] USA Today added Camp Rock to the top ten best summer camp movies of all time.[25] Rebecca Alter of Vulture ranked the film as one of the best Disney Channel Original Movies of all time.[26] https://sites.google.com/view/winnjennymo6x8kl
    cc7c31b456 pearvola

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