9 APRILE: Joseph Howson, pianoforte – Concerto per ricordare il M°Eriberto Scarlino

Battle Royale (Japanese: バトル・ロワイアル, Hepburn: Batoru Rowaiaru) is a 2000 Japanese dystopian action film[4] directed by Kinji Fukasaku from a screenplay by Kenta Fukasaku, based on the 1999 novel of the same name by Koushun Takami. The film stars Tatsuya Fujiwara, Aki Maeda, Tarō Yamamoto, Chiaki Kuriyama, Kou Shibasaki, Masanobu Andō, and Beat Takeshi. It follows a group of junior high school students forced to fight to the death by a totalitarian Japanese government.
Battle Royale was theatrically released in Japan on December 16, 2000, by Toei Company, with an R15+ rating, which is rarely used in Japan.[5][6][7] The film drew controversy and was banned or excluded from distribution in several countries.[8][9] Toei refused to sell the film to any United States distributor for over a decade due to concerns about potential controversy and lawsuits, until Anchor Bay Films eventually acquired the film in 2010 for a direct-to-video release.[10] Worldwide, it grossed $30.6 million against a production budget of $4.5 million. The film earned critical acclaim and, especially with its video releases, drew a large global cult following. It is often regarded as one of Fukasaku’s best films and one of the best films of the 2000s and of all time. In 2009, filmmaker Quentin Tarantino praised Battle Royale as his favorite film of the previous two decades.[11][12]
Battle Royale was the last film to be fully directed by Kinji Fukasaku. He started working on the sequel, titled Battle Royale II: Requiem, but died of prostate cancer on January 12, 2003, after shooting only one scene with Takeshi. His son, Kenta Fukasaku, who also wrote Requiem, completed the film that same year. The sequel drew mostly negative reviews and was deemed inferior to its predecessor.
Following a recession, a totalitarian Japanese government passes an act to curb juvenile delinquency by selecting a junior high school class at random to participate in a yearly ‘game’ called Battle Royale.
Junior high schooler Shuya Nanahara struggles to process his father’s suicide. His friend Yoshitoki Kuninobu stabs their teacher Kitano, who subsequently resigns. Shuya’s classmate, Noriko Nakagawa, secretly keeps Kuninobu’s knife.
One year later, Shuya’s class fall asleep on a school bus (having been gassed) and awaken on a remote island. Kitano explains that they were chosen to participate in the annual Battle Royale; they have three days to fight to the death until a victor emerges. Explosive collars will kill uncooperative students or those within prohibited areas. Each student is provided rations, a map, supplies, and a random weapon. Kitano then kills two of the students, including Kuninobu. Twelve students die within the first six hours, four by suicide.
Mysterious, abused loner Mitsuko Souma and brutal high schooler Kazuo Kiriyama become the most ruthless players. Transfer student Shogo Kawada spares Shuya after killing one student, while Shuya accidentally kills another. Basketball player Shinji Mimura recruits others to help him hack into the computer system to disrupt the program.
Amid shifting loyalties and violent confrontations, Shuya promises to keep Noriko safe, as Kuninobu had feelings for her. They are eventually rescued by Kawada, who reveals that he won a previous Battle Royale at the cost of his girlfriend, who sacrificed herself when they were the final two remaining. He volunteered for the current Battle Royale game to avenge her by winning and killing those in charge. Kiriyama eventually attacks and wounds Shuya with his Uzi, but Shuya is saved by Sugimura.
Shuya awakens in the island’s lighthouse, bandaged by Yukie Utsumi. Five other girls are hiding there, having made a pact to not participate in the game. Yuko Sakaki, having witnessed Shuya accidentally kill Tatsumichi Oki, attempts to poison his food. However, another girl, Yuka, eats it, leading to a confrontation between the group, which results in a shootout. All but Yuko are killed; guilt-ridden, she jumps to her death. Shuya reunites with Noriko and Kawada, and the trio sets out to find Mimura. Later, Sugimura is killed by Kotohiri, and he professes his love for her before he dies. Mitsuko kills her and, in a flashback, is shown to have a traumatic, abusive childhood. Back in the present, she is killed by Kiriyama.
Mimura and two others successfully infiltrate the computer system, which Kitano manually resets. Kiriyama arrives and kills them, but Mimura uses his homemade bomb to blow up the base, injuring and blinding Kiriyama. When the trio arrives at the base, Kawada engages in a shootout with Kiriyama. Kiriyama’s Uzi injures Kawada, while Kawada manages to detonate Kiriyama’s collar.
On the final day, the trio awakens on the shore. Kawada, aware of the collars’ internal microphones, feigns killing Shuya and Noriko. Believing Kawada has won, Kitano brings him into the base, but realizes that Kawada hacked the system months beforehand and had disabled Shuya and Noriko’s tracking devices. Shuya and Noriko enter the control room, and Kitano unveils a painting of the massacred class, depicting Noriko as the victor. He explains that he was unable to bear the hostility from his students, having been rejected by his own daughter, and that, because Noriko never disrespected him, he views her as a daughter. He asks her to kill him, but Shuya shoots him after he threatens them. After a final phone conversation with his daughter, Kitano succumbs to his wounds. The trio leaves the island on a boat, but Kawada dies from his injuries. Some time later, Noriko gives Shuya the knife that Kuninobu had used to injure Kitano. Shuya and Noriko are declared fugitives by the Japanese government, last seen on the run toward Shibuya Station.
In an epilogue, Shuya dreams of Kuninobu, who tells him to move on with his life and that everything will be okay. Noriko reflects on the time she met Kitano for ice cream after the knife attack. When she tells him she has Kuninobu’s knife in her possession, Kitano responds, “In this moment, what should an adult say to a kid?”
Roughly 6,000 actors auditioned for the film, which was narrowed down to 800 potential cast members. These finalists were subjected to a six-month period of physical fitness training under the supervision of the director, Kinji Fukasaku, who eventually cast 42 out of the 800.[13]
Despite the characters being middle school students, Aki Maeda, Yukihiro Kotani, Takayo Mimura, and Yukari Kanasawa were the only four who were aged 15 to 16 years old. The other members of the cast had all graduated from secondary education, and Tarō Yamamoto and Masanobu Andō were the oldest among the actors, aged 25.[14]
Kinji Fukasaku stated that he decided to direct the film because the novel it was adapted from reminded him of his time as a 15-year-old munitions factory worker during World War II. At that time, his class was made to work in a munitions factory. In July 1945, the factory came under artillery fire from US navy warships. The children could not escape, so they dove under each other for cover. The surviving members of the class had to dispose of the corpses. At that point, Fukasaku realised that the Japanese government was lying about World War II, and he developed a burning hatred of adults in general that he maintained for a long time afterwards.[16]
Beat Takeshi told a documentary crew during filming that he believes “an actor’s job is to satisfy the director … I move the way I’m told to. I try to look the way I’m told to. I don’t know much about the emotional side”, before adding, “Mr. Fukasaku told me to play myself. I did not really understand, but he told me to play myself, as I ordinarily would! I’m just trying to do what he tells me.”[17]
When asked in an interview with The Midnight Eye if the film is “a warning or advice to the young,” Kinji Fukasaku responded by describing the words “warning” and “advice” as “sounding very strong to me” as if they were actions that one tries to accomplish; therefore, the film would not be “particularly a warning or advice.” Fukasaku explained that the film, which he describes as “a fable,” includes themes such as juvenile crime(s), which in Japan “are very much real modern issues.” Fukasaku said that he did not have a lack of concern or a lack of interest; he used the themes as part of his fable. When the interviewer told Fukasaku that he asked the question specifically because of the word “run” in the concluding text, which the interviewer described as “very positive”, Fukasaku explained that he developed the concept throughout the film. Fukasaku interpreted the interviewer’s question as having “a stronger meaning” than “a simple message.” He further explained that the film simply contains his “words to the next generation”, so the viewer should decide whether to take the words as advice or as a warning.[16][18]
The film score for Battle Royale was composed, arranged, and conducted by Masamichi Amano, performed by the Warsaw Philharmonic Orchestra, and features several pieces of Western classical music along with Amano’s original compositions. The choral movement used in the film’s overture and original trailer is “Dies Irae” from Giuseppe Verdi’s Requiem.
Fukasaku originally opposed the R15+ rating given by the Eiga Rinri Kanri Iinkai (Eirin) because of Fukasaku’s experiences as a teenager, the novel’s use of 15-year-olds, and the fact that many of the actors were around fifteen years of age. After he submitted an appeal and before Eiga Rinri Kanri Iinkai could rule on the appeal, members of the National Diet said that the film harmed teenagers; the Diet members also criticised the film industry ratings, which were a part of self-regulation by the Japanese film industry. Fukasaku dropped the appeal to appease the Japanese Diet in hopes they would not pursue increasing film regulation further.[16][18] Fukasaku criticized the ruling since the film was already blocked from people under 16 years of age.[20] https://drive.google.com/file/d/1hxZ5OopqtMOKo0swLliPOO4Kp6SUFV4j/view
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